It remains one of Strindberg's most admired and influential dramas, seen as an important precursor to both dramatic expressionism and surrealism. It was first performed in Stockholm on 17 April 1907. Strindberg’s dream, in a Freudian sense, is a wish-fulfilment – a wish to see humankind stripped off morbid illusions, and a wish to recover humane values by means of increasing consciousness. A Dream Play (Swedish: Ett drmspel) was written in 1901 by the Swedish playwright August Strindberg (1849-1912). In spite of the nightmarish representation of reality in both plays, Strindberg holds the affirmative view of life. In fact, the play is an outcome of a final balancing of accounts of his life before the final preparation for his death. In The Ghost Sonata, Strindberg exposes the absurdity of existence through the structure of the absurd dream logic. It ends on a cosmic vision about the salvation of humankind through the fire of suffering and misery. A Dream Play looks like an anxiety dream but it does not end on a nightmare. In Interpretation of Dreams, Freud acknowledges the power of dreams in shaping the human personality and the material of art. In a Freudian sense, dream becomes a fit prop for Strindberg to appropriate the conventions of phenomenal reality. ![]() ![]() ABSTRACT: The Swedish playwright August Strindberg, in The. ![]() Strindberg did not take the conception of dreams from Freud but Freud is helpful in interpreting the nature and structure of these plays. August Strindbergs The Dream Play: expressionism in the Theatre. This research paper aims to examine Strindberg’s artistic dreams in A Dream Play and The Ghost Sonata.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |